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Making Eyes Across The Room, Orange

Making Eyes Across The Room, Orange is a limited edition silkscreen print by artist Adam Bridgland. From an edition of 50, the piece is signed and numbered by the artist.

Framing

Unframed
White Frame 130-150-OA with No Float + £151
White Frame 130-150-OA with Black Float + £218
White Frame 130-150-OA with White Float + £218
Black Frame 130-150-OA with No Float + £151
Black Frame 130-150-OA with Black Float + £218
Black Frame 130-150-OA with White Float + £218
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  • Regular price
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    Own Art This artwork is part of the OWN ART Scheme.
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    Spread the Cost of Your Art Collection with 0% Finance

    At Enter Gallery we make art accessible to everyone. As a leading member of the Own Art Scheme (backed by Arts Council England), we offer an interest free* finance option to our UK customers, for many of the artworks we sell. Spread the cost of the art you love, over 10 or 20 months.

    To apply, simply complete the application process in the checkout or call us and we'll arrange your finance application for you:

    +44(0)1273 724829

    (Lines open Monday to Saturday 9.30am to 6pm and Sunday 11am to 5pm, UK time).

    Our Own Art loans are provided by Hitachi Capital PaybyFinance. If you choose to apply, your checkout will include a secure visit to them, to complete your application.

    Visit our Own Art page for more details.

    Specifications
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    Signed: Yes
    Medium: Silkscreen, Print
    Edition Type: Limited Edition
    Edition Size: 50
    Size (cm): 55 x 75
    SKU: 15442
    Framing
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    Looking to add a frame?

    Many of the prints at Enter Gallery have the option to add a hand-crafted frame.

    Our framing includes FREE DELIVERY within the UK (shipping charges apply outside the UK).

    Our Framing Service

    Our experts will cut, join and assemble each frame by hand to the exact dimensions of your artwork, creating your perfect finished work of art, ready to hang on your wall.

    Choose at our website or call us today for expert advice:

    +44(0)1273 724829
    (Lines open Mon to Sat 9.30am to 6pm and Sun 11am to 5pm, UK time)

    Your Framing Options at entergallery.com

    Box framing is provided with all our online framing, creating a distance between the glass and your artwork, so no risk of ink transfer to the pane. it's the perfect, gallery grade choice for limited edition prints or original artworks.

    Shadow float mounting is offered as an option, often used by galleries, it gives an appearance of the artwork floating within the frame. Our archival foam core mounts create depth too.

    Glazing our UK framing orders are shipped with glass. For our customers outside the UK we frame with gallery grade cast acrylic offering superb clarity and protection.

    Find out more at our framing page.

    Shipping
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    Almost everything ordered through our checkout here at entergallery.com has
    FREE DELIVERY WORLDWIDE!

    Our only exception is if you live outside the UK and wish to buy framed artworks. Then a shipping cost does apply (unframed artworks outside the UK have free delivery).

    Despatch Times

    (Items with Express Despatch, have a special message above, under the 'Add to Cart' button)

    Unframed Items
    Marked ‘Express Despatch’ above – 2 to 3 days
    All other unframed items – 2 to 3 weeks

    Framed Artwork
    Marked ‘Express Despatch’ above – up to 3 weeks
    All other framed artwork – 3 to 6 weeks

    If your order takes more than 7 days to despatch, we will keep you regularly updated by email.

    See our Delivery page for full details, including our Christmas last order dates.

    About the artist
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    Since graduating from the Royal College of Art in 2006, Bridgland has used a diverse range of materials and working methods to pursue an incisive and often witty exploration of distinctively British sentiments, externalising the underlying sense of loss and nostalgia that permeates our memories.

    Vignettes of British back-packer’s holidays, old-fashioned bus-tours, and childhood seaside breaks that figure strongly in his visual repertoire are often tinged with this feeling of time having passed too quickly, our memories gradually fading. Twinned with this however, is an upbeat celebration of themes distilled from children’s colouring books, paint-by-numbers kits, old public transport posters and kitsch postcards, which he imbues with the kaleidoscopic richness of carefully chosen and thickly applied primary colours.

    These everyday, almost mundane subjects are treated with the importance and status of emblems; centred in each work and often encapsulated within related text or target-like circular borders that focus our gaze.

    Whether descriptive of change or constancy, Bridgland’s work keys into our desire to remember and relive, and plays upon our tendency to elevate our shared memories with the rose-tinted, wistful spectacles we don when thinking of the past, as well as the future.

    His depictions of identity and belonging, nostalgia and emotion give to his work a hugely personal aspect, and are influenced by a graphic and visual tradition that is quite specific to Britain. Yet his subtle combinations of image and related text play on everyone’s perceptions of shared occasions. Perhaps then it is the delicately précised power of the experiences he attempts to capture that make Bridgland’s work so accessible to all.

    Text by Matthew Reeves, Independent Curator and Curator of East Wing Nine at the Courtauld Institute of the Arts.

    A graduate of the Royal College of Art, Adam lives and works as an artist in Cambridgeshire.

    Since his graduation in 2006, he has exhibited widely in the UK, America, Europe and Asia. The British Museum, the V&A, UBS, Boeing Asia and Debbie Harry are just some of the collectors of Adam's work. In July 2009 Adam was awarded his first major public art commission by Commissions East. He has since gone to complete a number of important projects, including work for YouTube, Heal's, Comme Des Garcons, Airnimal bikes, Ace Hotel, Soho House, SmartLIFE, Jacuzzi and Eastern Pavilions.