Through paper collage and silkscreen print, Hardacre’s practice explores the architectural legacies of post-war, post-industrial housing development; estates of single class segregation and islands of failed Utopias.
Imposing feminine strength in surreal scales over structures suspended in a half time; her works reflect biographical journeys and a growing personal political awareness, engaged in current theoretical writing on Modernism and preoccupied with histories of the working class movement and social planning policy