Stroud, Low Moon, 2014
"Stroud Low Moon is part of a series of recent work based on the Gloucestershire landscape and the re-connection of the Cotswold canals in Stroud Valley, the Thames & Severn with the Stroudwater Navigation. My walks in the valleys are documented in my sketchbooks in a variety of mixed media. The image is built up from many different drawings done on the spot, which contribute to the collected fragments of imagery and atmosphere in the final piece. De Kooning has continued to be an inspiration for these pieces, along with the tradition of the British neo-romantics (Keith Vaughan, Graham Sutherland) and their very individual portrayal of the same landscapes.” – Lucy Farley
Any questions? Call: +44(0)1252 797219 or
message us at the bottom right of this page.
Specifications
Medium: Silkscreen, Print
Edition Type: Limited Edition
Edition Size: 100
Size (cm): 136.5 x 110
SKU: EG22085
Framing
Looking to add a frame?
Many of the prints at Enter Gallery have the option to add a hand-crafted frame.
Our framing includes FREE DELIVERY within the UK (shipping charges apply outside the UK).
Our Framing Service
Our experts will cut, join and assemble each frame by hand to the exact dimensions of your artwork, creating your perfect finished work of art, ready to hang on your wall.
Need Advice?
Some of our framing options may be more suitable for your artwork than others. For expert advice on the best way to frame, give us a call:
+44 (0)1252 797219
(Lines open Mon to Fri 9.00am to 5.30pm, UK time)
Your Framing Options at entergallery.com
Box framing is provided with all our online framing, creating a distance between the glass and your artwork, so no risk of ink transfer to the pane. it's the perfect, gallery grade choice for limited edition prints or original artworks.
Shadow float mounting is an option at our website, to give the appearance of an artwork floating within the frame. The mount – an archival foam core – creates depth too, by casting a shadow beneath the artwork. We highly recommend using a float mount when framing artwork with deckled (hand-torn) edges.
As always, all our materials are sustainable and archival to keep your artwork in mint condition and perfectly presented. Simply choose from our white or black float framing options, before adding to basket.
Glazing all our framing orders are shipped with glass. We take great care with packaging to protect your artwork.
Alternatively, for added piece of mind, we've the option of gallery grade cast acrylic, offering superb clarity and protection.
If you would prefer acrylic or other options such as ornate frames or UV protection, please call our gallery team on +44 (0)01252 797219 for a quote, or message us at the bottom right of this page.
Find out more about all our framing options at our framing page.
Shipping
See our Delivery page for full details.
Almost everything ordered through our checkout here at entergallery.com has FREE UK DELIVERY!
Our only exceptions are books, framed artworks, or selected large or '3D' items, such as sculptures. In these cases, a shipping cost applies, with full details provided at checkout.
Despatch Times
Unframed artworks - 10 working days
Framed Artwork - 4 to 6 weeks
Shipping Within the EU and Rest of the World
For deliveries within the EU and Rest of the World, please note the price above does not include local taxes and your order may be subject to import duties & tax, payable on delivery. We have no control over these charges and cannot predict their amount.
About the artist
Lucy Farley’s artistic practice revolves around the exploration of landscape, the human figure, and still life through a process of pictorial deconstruction and rearrangement. She focuses on personal connections to places, either familiar or those with significant history, creating art that is deeply intertwined with time, memory, and the emotional undercurrents that shape how we experience places.
Central to her practice is drawing, which she uses as a foundational tool. Her drawings evolve, transforming into different media such as painting and printmaking, creating new abstract languages with each iteration. Through repeated drawing and documentation, Farley recontextualizes her subject matter, exploring the spirit of places and objects, as well as the human condition in relation to them. She enjoys delving into the tension between the real and the illusory, often working on-site for long periods to absorb the environment and incorporate remembered forms into her work.
Farley draws significant inspiration from the interplay between drawing and sculpture, particularly the challenge of translating three-dimensional images into two-dimensional representations. Her influences include American Abstract Expressionists, whose physical approach to painting resonates with her, and Scandinavian painters like Munch, Asger Jorn, and Per Kirkeby, whose romanticism and deep connection to landscape evoke a strong emotional response in Farley’s own work. Additionally, the melancholic and nostalgic elements of the English neo-romantic painters, particularly Keith Vaughan, provide further layers of influence that shape the way she approaches her subjects.
