This piece is from Charlotte Rose’s 2022 London show, Too Much of A Good Thing, which was sponsored by Enter Gallery. The show explores the clever artistry of classic branding that’s responsible for building culture, law and nostalgia.
In Love Hurts, Rose portrays a love sick Bart Simpson, mesmerised by the messages surrounding love that have been pedalled to us since we were kids. Rose explains:
‘I’m interested in how, as time progresses and the population awakens to the hidden dangers of products once portrayed as their friend, the branding and the culture around it begin to fall away.’
This giclée print on Hahnemühle Photo Rag Satin is hand-finished with acrylic. The piece is available in two sizes. Both sizes are limited editions of 20, signed by the artist.
Hand Finished: Yes
Medium: Giclee, Print
Edition Type: Limited Edition
Edition Size: 20
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About the artist
Charlotte Rose is a self-taught artist residing in North London. In 2021, Rose held her debut solo show, ‘I Quit Last Week’, which centred around nostalgic branding from the late 20th century.
The sell-out show featured 15 large-scale acrylic on plywood paintings. The aim of the exhibition was to prescribe new truths to old illusions, with each piece being an exploration of the ‘dream sold by ad companies to sell poisonous goods.’
Rose’s extensive social network and soaring profile has brought her work to the attention of celebrities, including Phoebe Waller-Bridge and Yung Blud, both of whom have commissioned work from her. Via her art, Rose intends to evoke consumer nostalgia, while challenging its intention.