Women's Work, 2007
Women’s Work' - A signed, limited edition print by British contemporary artist Tom Phillips.
This print is based on a patchwork quilt Phillips made in 1997- the quilt was made up from fragments of cards advertising prostitutes ‘tart art’ that littered every public phone box. The symmetry between ‘women’s work’- meaning prostitution and ‘women’s work’ meaning quilt-making and other such domestic pursuits caught his interest. In Britain there is a connection between sowing and prostitution. Phillips elaborates,
‘In the Victorian era the seamstress augmented her earnings by such means and the prostitute gained a little extra money between clients by taking in sewing. This is in contrast to the clear opposition in the male imagination of the ‘little woman’ at home plying her patient needle and the potent object of erotic desire offering outlandish sexual adventures.
I first collected examples of tart-art out of aimless fascination. While the drawings were frequently in the mode of Victorian illustrations the texts had their own brisk poetry (‘Xmas fun!/Spank my Bum’). As usual, collection long preceded any kind of work and it was only a reminder of the connection between seamstress and prostitute that led to the idea of a quilt. The goal was to celebrate via a traditional design the rich colours of the cards at a scale where words were enigmatically incomplete and bits of drawing could flow one into the other. The finished quilt was first shown in the Royal Academy Summer Exhibition of 1997. Brian Sewell (who sometimes inadvertently praises where he means to castigate) singled it out in the Evening Standard as an object more appropriate to a women’s institute than an art gallery, thereby giving it some credentials of success.’ - Tom Phillips
Size (cm): 59.5 x 59.5
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Specifications
Medium: Silkscreen, Print
Edition Type: Limited Edition
Edition Size: 75
Size (cm): 59.5 x 59.5
SKU: EG22166
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About the artist
Tom Phillips (1937 – 2022) was a prolific British artist whose work spanned a wide array of formats and mediums, reflecting his diverse interests and intellectual pursuits. His contributions to the arts include figurative and abstract painting, opera as a composer, librettist, and set designer, concrete poetry, sculpture, site-specific art installations (such as mosaics and tapestries), and writing. Beyond creating art, Phillips also played a significant role as a critic, curator, and translator, intertwining these activities with his artistic practice.
Phillips was born in 1937 and grew up in South London, where he spent much of his life and career. He studied at Oxford, where he took classes in drawing and Renaissance iconography. His artistic education continued at Camberwell School of Art, where he was taught by renowned painter Frank Auerbach.
Phillips’s first solo exhibition in London occurred in 1965, and he gained further recognition in the late 1960s for his music-related activities, including his involvement with Cornelius Cardew’s Scratch Orchestra and his own compositions. His influence extended into the realm of music education, where he mentored Brian Eno, who would go on to develop ambient and generative music.
One of Phillips’s most famous and enduring projects is A Humument (1966–2016), an ongoing reworking of a Victorian novel he found in a secondhand bookshop. This project, which involved collage, cut-up techniques, and ornamental writing, transformed the original text into a unique and visually dynamic artwork. A Humument became a central theme throughout Phillips’s career and was celebrated in exhibitions, including a dedicated room at the 2015 Royal Academy Summer Exhibition.
Phillips’s varied career also included several commissions for public and private works, including tapestries, street mosaics, and portraits. He created art for prominent institutions like the Imperial War Museum, Westminster Abbey, and Westminster Cathedral, as well as portraits of famous figures such as Samuel Beckett and Iris Murdoch.
In addition to his visual art, Phillips made notable contributions to literature and music. He was awarded the Frances Williams Memorial Prize in 1983 for his illustrated translation of Dante’s Inferno, a work that was also adapted into a TV version with filmmaker Peter Greenaway. Phillips's work continues to be housed in significant collections worldwide, including those at the National Gallery of Australia, the V&A, the Ashmolean Museum, and the Bodleian Library at Oxford.
Phillips’s legacy is defined by his multidisciplinary approach to art, which allowed him to bridge various forms of creative expression, from visual art to music, literature, and beyond.
