London-based artist, Gavin Mitchell reworks found objects, using photography, collage and print, to explore the relationship between East and West. By using contradictory imagery, Mitchell highlights the difference and similarities between Japanese and European culture.
In After The Dream Of A Fisherman's Wife, Mitchell’s geisha holds aloft a scroll on which a quote from Shakespeare’s The Tempest has been written. The quote is largely understood to reference the fleeting nature of life.
This giclée print has deckled edges, and is hand-finished with gold and metal leaf, and UV varnish. From a limited edition of 30, the piece is signed and numbered by the artist. Also available in a larger size here.
Size (cm): 104 x 70
Hand Finished: Yes
Medium: Giclee, Print
Edition Type: Limited Edition
Edition Size: 30
Size (cm): 104 x 70
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Shadow float mounting is an option at our website, to give the appearance of an artwork floating within the frame. The mount – an archival foam core – creates depth too, by casting a shadow beneath the artwork. We highly recommend using a float mount when framing artwork with deckled (hand-torn) edges.
As always, all our materials are sustainable and archival to keep your artwork in mint condition and perfectly presented. Simply choose from our white or black float framing options, before adding to basket.
Glazing all our framing orders are shipped with glass. We take great care with packaging to protect your artwork.
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Within the UK
Marked ‘Express Despatch’ under our 'Add to Cart' button – 21st December
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Europe, USA &
Marked ‘Express Despatch’ under our 'Add to Cart' button– 12th December
Regular Despatch unframed items – 28th November
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Rest of the World
Marked ‘Express Despatch’ under our 'Add to Cart' button– 5th December
Regular Despatch unframed items – 21st November
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About the artist
According to contemporary artist Gavin Mitchell, the phrase that best describes his work is ‘mixed up’. From his inspirations to his processes to his use of materials, all the way to the finished product, Mitchell’s aesthetic is determined by an idea of disorder and deconstruction, pulling apart the ordinary to put it back together in extraordinary ways.
Inspired by early experimental collage artist Hannah Höch, Mitchell’s work is about a “journey of discovery” in which all “preconceptions” must be abandoned. The result is a body of work that speaks its own, unique visual language, built through layer upon layer of imagery, to create highly original and provocative works of art.