This piece is one of eight pigment prints, created for Marc Quinn's At The Far Edges of The Universe series, which once again revisits Quinn's interest in nature, beauty and the cycle of life and death.
To create the artwork, Quinn first brought together flowers and plants from around the world and photographed them in their prime. Then, he digitally-reworked the images, manipulating their colours and features to give the blooms an otherworldly air.
The pigment print is from a limited edition of 59, signed and numbered by the artist.
Size (cm): 104 x 70
Own Art This artwork is part of the OWN ART Scheme.
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Medium: Pigment Print
Edition Type: Limited Edition
Edition Size: 59
Size (cm): 104 x 70
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About the artist
One of the leading artists of his generation, Marc Quinn graduated from Cambridge University with a degree in History and History of Art before switching track to contemporary visual art in the 1990s.
Working across sculpture, painting, and drawing, Quinn incorporates a broad range of materials through both traditional and modern techniques. With his critical background, Quinn suffuses every work with a sense of the profound, tackling questions of the human condition through a contemplation of science and astrology.
Well-known artworks include the sculpture of the artist’s head, cast from his own frozen blood, and his depiction of the artist Alison Lapper on Trafalgar Square’s Fourth Plinth in 2005. In 2001, Quinn also won The Royal Academy of Art’s Charles Wollaston Award for Catherine Long, a sculptural nude in white marble.