Capel Baptasia is a limited edition giclee print by artist Gina Soden.
From a very small edition of 15, printed on 325gsm Hahnemuhle Fine Art Baryta paper with a straight cut edge, the piece comes with a Certificate of Authenticity.
Size (cm): 54.8 x 44.64
Medium: Giclee, Print
Edition Type: Limited Edition
Edition Size: 15
Size (cm): 54.8 x 44.64
Image Size (cm): 50.8 x 40.64
Looking to add a frame?
Many of the prints at Enter Gallery have the option to add a hand-crafted frame.
Our framing includes FREE DELIVERY within the UK (shipping charges apply outside the UK).
Our Framing Service
Our experts will cut, join and assemble each frame by hand to the exact dimensions of your artwork, creating your perfect finished work of art, ready to hang on your wall.
Some of our framing options may be more suitable for your artwork than others. For expert advice on the best way to frame, give us a call:
+44 (0)1273 724829
(Lines open Mon to Sat 9.30am to 6pm and Sun 11am to 5pm, UK time)
Your Framing Options at entergallery.com
Box framing is provided with all our online framing, creating a distance between the glass and your artwork, so no risk of ink transfer to the pane. it's the perfect, gallery grade choice for limited edition prints or original artworks.
Shadow float mounting is an option at our website, to give the appearance of an artwork floating within the frame. The mount – an archival foam core – creates depth too, by casting a shadow beneath the artwork. We highly recommend using a float mount when framing artwork with deckled (hand-torn) edges.
As always, all our materials are sustainable and archival to keep your artwork in mint condition and perfectly presented. Simply choose from our white or black float framing options, before adding to basket.
Glazing all our framing orders are shipped with glass. We take great care with packaging to protect your artwork.
Alternatively, for added piece of mind, we've the option of gallery grade cast acrylic, offering superb clarity and protection.
If you would prefer acrylic or other options such as ornate frames or UV protection, please call our gallery team on +44 (0)1273 724829 for a quote, or message us at the bottom right of this page.
Find out more about all our framing options at our framing page.
See our Delivery page for full details.
Almost everything ordered through our checkout here at entergallery.com has
FREE DELIVERY WORLDWIDE!
Our only exception is if you live outside the UK and wish to buy framed artworks or selected large or '3D' items, such as sculptures or prints that cannot be rolled. Then a shipping cost applies, full details are provided in the checkout (unframed artworks outside the UK, packaged in tubes, have free delivery).
(Faster shipped items have ‘EXPRESS DESPATCH’ under ‘Add to Cart’ above, otherwise they will be Regular Despatch)
Marked ‘Express Despatch’ above – 2 to 3 days
Regular Despatch unframed items – 2 to 3 weeks
Marked ‘Express Despatch’ above – up to 3 weeks
Regular Despatch framed artwork – 3 to 6 weeks
We will keep you regularly updated by email or text.
Shipping Within the EU - Receive 10% Cashback!
For deliveries within the EU, please note the price above does not include local taxes and your order may be subject to import duties & tax, payable on delivery. We have no control over these charges and cannot predict their amount.
To lessen the impact of these charges we are currently offering 10% Cashback for all orders over £200 shipped within the EU (cashback excludes any shipping costs). Your cashback will be refunded shortly after you order (unfortunately we are unable to apply the discount before ordering). You will also receive an email confirming the refund.
See our Cashback Within the EU page for full details.
About the artist
At the heart of Gina Soden’s photography is a preoccupation with abandoned structures and locations. Based in London, she travels widely to undisclosed sites throughout Europe and explores the boundaries of beauty, decay, nostalgia and neglect. The genesis of each piece is often the unique architectural character of each location, heightened by their painfully slow transformation after years of abandonment.
Rather than taking a documentary approach, Soden breathes a sense of life into the scenes, hinting at narrative with studied compositions. Characteristically each image has a distinctly painterly aesthetic, side stepping the tendency that photography has for observational and distanced looking.
Soden’s approach is lyrical and directs the viewer to explore the concepts of time and memory. The compositions feature derelict asylums, long since closed schools, ex-military compounds and famous city power stations in various stages of decay. The results are striking and poignant, at once both edgy in their contemporary aesthetic and nostalgic in their ruinous beauty.
The work is underscored by the potential controversy of gaining unlicensed access to the out of bounds areas. Every image is a product of a journey, referring both to the physical demands of gaining entry and to the passing of time which is evident in the abandoned locations. Like the Romantic poets before her, Soden offers room to reflect on more romantic notions of beauty and a sense of calmness despite collapse and structural devastation.