Gavin Mitchell is a London-based artist who reworks found objects to explore the relationship between East and West. Working with collage, photography and print, Mitchell takes the observer on a journey of discovery, testing preconceptions along the way.
In Easy Tiger, Mitchell depicts his geisha fanning herself while taking a break from reading the latest edition of the Tiger Annual.
This hand-finished pigment print with gold leaf and UV varnish is from a limited edition of 20, signed and numbered by the artist. This piece is available exclusively at Enter Gallery.
Size (cm): 140 x 94
Hand Finished: Yes
Medium: Giclee, Print
Edition Type: Limited Edition
Edition Size: 20
Size (cm): 140 x 94
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Shadow float mounting is an option at our website, to give the appearance of an artwork floating within the frame. The mount – an archival foam core – creates depth too, by casting a shadow beneath the artwork. We highly recommend using a float mount when framing artwork with deckled (hand-torn) edges.
As always, all our materials are sustainable and archival to keep your artwork in mint condition and perfectly presented. Simply choose from our white or black float framing options, before adding to basket.
Glazing all our framing orders are shipped with glass. We take great care with packaging to protect your artwork.
Alternatively, for added piece of mind, we've the option of gallery grade cast acrylic, offering superb clarity and protection.
If you would prefer acrylic or other options such as ornate frames or UV protection, please call our gallery team on +44 (0)1273 724829 for a quote, or message us at the bottom right of this page.
Find out more about all our framing options at our framing page.
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Marked ‘Express Despatch’ above – up to 3 weeks
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About the artist
According to contemporary artist Gavin Mitchell, the phrase that best describes his work is ‘mixed up’. From his inspirations to his processes to his use of materials, all the way to the finished product, Mitchell’s aesthetic is determined by an idea of disorder and deconstruction, pulling apart the ordinary to put it back together in extraordinary ways.
Inspired by early experimental collage artist Hannah Höch, Mitchell’s work is about a “journey of discovery” in which all “preconceptions” must be abandoned. The result is a body of work that speaks its own, unique visual language, built through layer upon layer of imagery, to create highly original and provocative works of art.