Orchids regularly crop up in Marc Quinn's work, allowing him to further explore themes of beauty and death. For In the Night Garden: Hale-Bopp, reminiscent of his Meteor Series, Quinn frames an orchid with different plants and fruit.
To create the artwork, Quinn photographs the flowers and digitally-reworks them prior to printing, deliberately accentuating the voluptuous nature of his carefully chosen subjects. Of orchids, Quinn has commented: 'Orchids are like perfectly evolved little sculptures in themselves, they're full of colour, interesting shapes and beauty. Even though they are a plant's reproductive organs, they pun on human ones too. They make you realise it is colour, life and sexuality that keeps the world turning'.
In The Night Garden: Hale-Bopp is from a limited edition of just 20, signed and numbered on the front by the artist.
Size (cm): 110 x 104.7
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Medium: Pigment Print
Edition Type: Limited Edition
Edition Size: 20
Size (cm): 110 x 104.7
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Box framing is provided with all our online framing, creating a distance between the glass and your artwork, so no risk of ink transfer to the pane. it's the perfect, gallery grade choice for limited edition prints or original artworks.
Shadow float mounting is an option at our website, to give the appearance of an artwork floating within the frame. The mount – an archival foam core – creates depth too, by casting a shadow beneath the artwork. We highly recommend using a float mount when framing artwork with deckled (hand-torn) edges.
As always, all our materials are sustainable and archival to keep your artwork in mint condition and perfectly presented. Simply choose from our white or black float framing options, before adding to basket.
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About the artist
One of the leading artists of his generation, Marc Quinn graduated from Cambridge University with a degree in History and History of Art before switching track to contemporary visual art in the 1990s.
Working across sculpture, painting, and drawing, Quinn incorporates a broad range of materials through both traditional and modern techniques. With his critical background, Quinn suffuses every work with a sense of the profound, tackling questions of the human condition through a contemplation of science and astrology.
Well-known artworks include the sculpture of the artist’s head, cast from his own frozen blood, and his depiction of the artist Alison Lapper on Trafalgar Square’s Fourth Plinth in 2005. In 2001, Quinn also won The Royal Academy of Art’s Charles Wollaston Award for Catherine Long, a sculptural nude in white marble.