On Sale

Reunion Owl

Reunion Owl is a limited edition giclee print with screenprinted varnish on Somerset 330gsm paper with debossed border and deckled edge.

From an edition of 125, the piece is signed and numbered by the artist.

Size (cm): 42 x 30.5


White Box Frame 80-90 with No Float + $148
White Box Frame 80-90 with Black Shadow Float + $174
White Box Frame 80-90 with White Shadow Float + $174
Black Box Frame 80-90 with No Float + $148
Black Box Frame 80-90 with Black Shadow Float + $174
Black Box Frame 80-90 with White Shadow Float + $174
  • -$0
  • Regular price
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    Signed: Yes
    Medium: Silkscreen, Giclee, Print
    Edition Type: Limited Edition
    Edition Size: 125
    Size (cm): 42 x 30.5
    SKU: EG07712

    Looking to add a frame?

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    Your Framing Options at entergallery.com

    Box framing is provided with all our online framing, creating a distance between the glass and your artwork, so no risk of ink transfer to the pane. it's the perfect, gallery grade choice for limited edition prints or original artworks.

    Shadow float mounting is an option at our website, to give the appearance of an artwork floating within the frame. The mount – an archival foam core – creates depth too, by casting a shadow beneath the artwork. We highly recommend using a float mount when framing artwork with deckled (hand-torn) edges.

    As always, all our materials are sustainable and archival to keep your artwork in mint condition and perfectly presented. Simply choose from our white or black float framing options, before adding to basket.

    Glazing all our framing orders are shipped with glass. We take great care with packaging to protect your artwork.

    Alternatively, for added piece of mind, we've the option of gallery grade cast acrylic, offering superb clarity and protection.

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    Find out more about all our framing options at our framing page.


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    About the artist

    Billy Childish (b. 1959, Chatham, Kent, United Kingdom; lives and works in Whitstable, Kent) is known for his introspective, autobiographical, and deeply emotional paintings, writing, and music. After leaving secondary school at age 16, Childish worked at the Naval Dockyard in Chatham as an apprentice stonemason. Initially denied an interview to the local art school, he produced hundreds of drawings that gained him entry to London’s Saint Martin's School of Art. Childish's defiance of authority led to his eventual expulsion from art school in 1981. Since then, Childish has gained something of a cult status worldwide, writing and publishing five novels and more than 40 volumes of confessional poetry, recording more than 150 LPs, and painting several hundred works. Through all of these disciplines, Childish addresses social, political, and personal issues such as war, protest, his turbulent childhood, and his struggles with addiction. While his confessional poetry and music explore these issues with startling honesty, Childish’s paintings are more subtle. His subjects are often drawn from his environment or are people he knows or admires: birch forests, self-portraits, a lone figure in a pastoral English landscape, and his wife as a reclining female nude. Childish works quickly and intuitively, making spare marks on raw canvas that leave much of it visible. He identifies with artists who worked outside a group or movement, intrigued by their outsider roles in society, such as Vincent van Gogh, Kurt Schwitters, and Edvard Munch. Labeling himself a “radical traditionalist,” Childish has a reverence for traditional oil painting yet has resolutely resisted any connection with a particular group or artistic movement.

    Childish attended Medway College of Design, Kent in 1977 and Saint Martin’s School of Art, London in 1978. Solo exhibitions of his work have been organized at Lehmann Maupin in New York (2020) and Seoul (2020); Neugerriemschneider, Berlin, Germany (2018); Villa Schöningen, Berlin, Germany (2017); Goss-Michael Foundation, Dallas, TX (2017); Rochester Art Gallery, Kent, United Kingdom (2016); Opelvillen Rüsselsheim, Frankfurt, Germany (2016); White Columns, New York (2010); and the Institute of Contemporary Arts, London (2010). Select group exhibitions featuring his work include BILLY CHILDISH, HARRY ADAMS and EDGEWORTH JOHNSTONE: Our Friend Larionov, Pushkin House, London (2014); Paintings Sweet Paintings, Neuer Aachener Kunstverein, Aache, Germany (2014); and British Art Show 5, City Art Centre, Edinburgh (2000).