Following the success of his series, The Complete Marbles, featuring sculptures of people with disabilities, Quinn created his Sphinx series, a collection of sculptures of Kate Moss in contorted yoga poses.
The series explores the idea of the supermodel as an idol who is more of a cultural hallucination rather than a person of actual flesh and blood. Quinn was drawn to Moss because of her place in society as someone who is admired and observed, but about whom we have very little actual knowledge.
This print, Stealth Kate, was created for Wallpaper Magazine's annual Handmade exhibition. Quinn selected digital printing for the image of his Sphinx sculpture, as it accentuates the colours and shades of the image. Diamond dust was chosen as the background to provided contrast to the clean, detailed image of Kate Moss.
The print is from a limited edition of 75, signed by the artist.
Size (cm): 92.5 x 71
Hand Finished: Yes
Medium: Giclee, Print
Edition Type: Limited Edition
Edition Size: 75
Size (cm): 92.5 x 71
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About the artist
One of the leading artists of his generation, Marc Quinn graduated from Cambridge University with a degree in History and History of Art before switching track to contemporary visual art in the 1990s.
Working across sculpture, painting, and drawing, Quinn incorporates a broad range of materials through both traditional and modern techniques. With his critical background, Quinn suffuses every work with a sense of the profound, tackling questions of the human condition through a contemplation of science and astrology.
Well-known artworks include the sculpture of the artist’s head, cast from his own frozen blood, and his depiction of the artist Alison Lapper on Trafalgar Square’s Fourth Plinth in 2005. In 2001, Quinn also won The Royal Academy of Art’s Charles Wollaston Award for Catherine Long, a sculptural nude in white marble.