On Sale

That Dog Won't Hunt II

Magnus Gjoen’s evocative work combines Street Art, Pop Art and Fine Art sensibilities, and highlights humanity's capacity for creating immense beauty one minute, and mass destruction the next.

In That Dog Won’t Hunt II Gjoen has overlaid his hound with a Fine Art still life, reminding us that beauty can also be dangerous. 

From a limited edition of 50, this piece is signed and numbered by the artist.

Size (cm): 72.5 x 85

Framing

Unframed
White Box Frame 160-170 with No Float + £251
White Box Frame 160-170 with Black Shadow Float + £308
White Box Frame 160-170 with White Shadow Float + £308
Black Box Frame 160-170 with No Float + £251
Black Box Frame 160-170 with Black Shadow Float + £308
Black Box Frame 160-170 with White Shadow Float + £308
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    Specifications
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    Signed: Yes
    Medium: Giclee, Print
    Edition Type: Limited Edition
    Edition Size: 50
    Size (cm): 72.5 x 85
    SKU: EG13257
    Framing
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    Your Framing Options at entergallery.com

    Box framing is provided with all our online framing, creating a distance between the glass and your artwork, so no risk of ink transfer to the pane. it's the perfect, gallery grade choice for limited edition prints or original artworks.

    Shadow float mounting is an option at our website, to give the appearance of an artwork floating within the frame. The mount – an archival foam core – creates depth too, by casting a shadow beneath the artwork. We highly recommend using a float mount when framing artwork with deckled (hand-torn) edges.

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    Find out more about all our framing options at our framing page.

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    About the artist
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    Formerly a shoe designer for Vivienne Westwood, Magnus Gjoen’s migration to the world of printmaking has been nothing short of spectacular: his highly stylised and effortlessly stylish prints have earned him a reputation as one of the contemporary art world’s most sought after rising stars. 

    Incorporating elements of renaissance, baroque, street and fine art, Gjoen’s work explores the juxtapositions between life and death, power and fragility, and beauty and destruction, for an aesthetic that is at once opulent and macabre. From human skulls to hand grenades, Gjoen drapes his subjects in sumptuous swathes of Baroque design, creating a dramatic style that demands attention: this is not for the faint of heart.