Load image into Gallery viewer, And The Ghosts Of Plastic Bags Will Walk The Cart For Centuries To Come, Small
Load image into Gallery viewer, And The Ghosts Of Plastic Bags Will Walk The Cart For Centuries To Come, Small
Load image into Gallery viewer, And The Ghosts Of Plastic Bags Will Walk The Cart For Centuries To Come, Small
Load image into Gallery viewer, And The Ghosts Of Plastic Bags Will Walk The Cart For Centuries To Come, Small
On Sale

Craig Keenan

And The Ghosts Of Plastic Bags Will Walk The Cart For Centuries To Come, Small

Craig Keenan is a London-based multi-disciplinary printmaker who specialises in Cyanotyping. This historic chemical process is what gives Keenan's artworks their distinctive deep blue colour. Inspired by the natural world, Keenan creates haunting fantasy worlds, poetic in their simplicity. In this piece, Keenan suspends a plastic bag in deep blue waters. By adding eyes, the image transforms into something amusing yet sobering, as we consider how long after our deaths these plastic bag "ghosts' will haunt our oceans.This cyanotype is from a limited edition of 100, signed and numbered by the artist.

Size (cm): 42 x 29.7

Framing

Unframed
White Box Frame 80-90 with No Float + £121
White Box Frame 80-90 with Black Shadow Float + £143
White Box Frame 80-90 with White Shadow Float + £143
Black Box Frame 80-90 with No Float + £121
Black Box Frame 80-90 with Black Shadow Float + £143
Black Box Frame 80-90 with White Shadow Float + £143
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    Specifications
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    Signed: Yes
    Medium: Print
    Edition Type: Limited Edition
    Edition Size: 100
    Size (cm): 42 x 29.7
    SKU: EG11581
    Framing
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    About the artist
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    Craig Keenan is a London-based multidisciplinary printmaker, and teacher of screenprinting, known for his cobalt blue dream worlds, inspired by the natural world. 

    Keenan’s primary creative output is cyanotypes, a historical method which involves mixing specific chemicals together, applying them to surface, and then exposing that canvas to light to create deep blues reminiscent of the cosmos or the deepest ocean.

    The limits of the process, alongside its unpredictable nature are what keeps Keenan engaged in Cyanotyping as his main medium. Speaking of what he likes about the process, he explains: ‘I love the depth and richness of colour that the cyanotype process produces. Also, as a medium it sits somewhere between painting, photography and printmaking, which allows me to combine art and science. I like having constraints within creativity – a blank canvas and infinite possibility can be a daunting prospect, so being tied to a specific colour is actually quite freeing.’