Clive Sefton is a Brighton-based artist and designer, famed for his series of word search artworks that combine fun and interaction with beautiful design. "I like interactivity with artwork,' Sefton states, and the idea that each time someone looks at a piece, they might see something else." His artworks have been featured in Creative Review and snapped up by the likes of Fatboy Slim.
Here, Sefton uses beautiful typography to create his word search and conceals over 100 words related to Manchester within - can you spot them all?
This silkscreen print is from a limited edition of 50 signed and embossed by the artist. Once framed, the words can be circled using a dry-board pen, which is supplied along with a bespoke aluminium pen holder to store the pen.
Size (cm): 60 x 56
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Medium: Silkscreen, Print
Edition Type: Limited Edition
Edition Size: 50
Size (cm): 60 x 56
Image Size (cm): 46 x 46
Looking to add a frame?
Many of the prints at Enter Gallery have the option to add a hand-crafted frame.
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Box framing is provided with all our online framing, creating a distance between the glass and your artwork, so no risk of ink transfer to the pane. it's the perfect, gallery grade choice for limited edition prints or original artworks.
Shadow float mounting is an option at our website, to give the appearance of an artwork floating within the frame. The mount – an archival foam core – creates depth too, by casting a shadow beneath the artwork. We highly recommend using a float mount when framing artwork with deckled (hand-torn) edges.
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About the artist
Brighton-based artist Clive Sefton specialises in a unique blend of typographical and interactive art. Combining clean and beautiful design with hidden words, puzzles, and games Sefton makes contemporary art with a playful twist.
Sefton’s work is driven by a desire to create multiple layers of engagement with the viewer. He has said of his art: "I like the idea that each time someone looks at a piece they might see something else." His work is made to be enjoyed in a variety of ways: whether played like a game or treated like an object of contemplation, it’s up to each viewer to engage how they choose. Democratically shrugging off artistic authority, Sefton has admitted, “I like the fact it can be shown in so many ways."